2010 Chorus Roster

   

 

 

SOPRANO
Penny Anderson*
Hannah Baker*
Kathleen Bandaruk
Risa Booze
Margot L. Brauchli
Evanne Browne*
Lindsay Campbell
Marianne de Alwis
Vici DeHaan
Meghan Goodner*
Molly Hardman
Jeannette Hillery
Heidi Lynch
Kamilla Macar*
Meg Miller
Judy Owens
Carol Rasmussen*
Leah Steiner Renaldo
Kitty Sargent
Debby Vink
Lucy Warner

ALTO
Clara Deser
Janice Effenberger
Melody English
Linda Haertling*
Elizabeth Hardin
Cynthia Harris
Pam Hoge*
Mary Jarrett
Janet Klemperer
MB Krueger*
Nancy Levitt
Pru Nagel*
Cindy Pierce*
Lessa Christina Redding
Bonnie Schwab
Nancy Sheffield*
Kathleen Stuart
Caroline Van Pelt
Deanna Young

TENOR
Arthur Bragg*
Paul Douglas
Paul Gibb
Warren Kennison, Jr.
Anthony Lee*
Hector C. Mireles*
Dan Seger*
David Shelton
Chuck Smythe
Paul Stuber*
R. C. Wittenbaugh*

BASS
Richard Collins
Tom Cox
David E. Damouth*
Peter Dawson
Joseph N. de Raismes
Aron Dobos*
Kenneth Guimond
Jonathan Hough
James M. Kates*
Albert Lundell
Charley Noecker*
Sebastian Schmidt*
Jim Topping*
Dick Van Pelt
Greg Werner
Bill Wood

*2010 Small Chorus Member

2010 Small Chorus

   

 

 

SOPRANO
Penny Anderson
Hannah Baker
Evanne Browne
Meghan Goodner
Kamilla Macar
Carol Rasmussen

ALTO
Linda Haertling
Pam Hoge
MB Krueger
Pru Nagel
Cindy Pierce
Nancy Sheffield

TENOR
Arthur Bragg
Anthony Lee
Hector C. Mireles
Dan Seger
Paul Stuber
R. C. Wittenbaugh

BASS
David E. Damouth
Aron Dobos
James M. Kates
Charley Noecker
Sebastian Schmidt
Jim Topping

The Festival Chorus

The Festival Chorus

The Boulder Bach Festival Chorus had its start in the early 1980s as the St. Cecilia Singers. Its evolution happened when St. Cecilia members wished to expand their scope of performance and took on the role of chorus for the newly formed Bach Festival. For over 25 years now, the BBF Chorus has been a major contributor both to the success of the Festival and to the vital cultural scene of the Denver-Boulder region. The chorus comprises around sixty volunteer singers from all walks of life, who share a love for the works of J. S. Bach and the desire to perform them meaningfully. To create the consistently high quality that our audience expects is no small feat. Much of the success is owed, of course, to effective direction and leadership, but a lion’s share also goes to those who, in a mere two and a half months of rehearsal, take that direction and make it real for an audience. Please direct any inquiries about joining this respected group to Dan Seger, .