by Edward McCue
In 1756, Leopold Mozart observed that “there are performers who tremble consistently on each note as if they had the permanent fever” and suggested that vibrato should be used only on sustained notes and perhaps as an ornament at the ends of phrases. He recommended that ”the performer pay attention to the Affekt [i.e., emotion] intended by the composer, so that the most appropriate bowing could be chosen” and that musicians pursue an education broad enough to encompass the study of literature and especially poetry, “for a cantabile style should be the aim of every instrumentalist, and poetry is the key to good musical phrasing.”
Read the full article on the Boulder Bach Beat blog