COmpass Resonance Ensemble

specializing in Baroque, Classical, Romantic, and post-Romantic period instrument performance.

Violin:
Zachary Carrettín, Leader and Music Director 
Jubal Fulks, Principal Second Violin

Brune Macary
Jennifer Diaz Spera
YuEun Kim*


Viola:
Renée Hemsing, Principal Viola

Cello:
Joseph Howe*
Jocelyn Schendel*

Double Bass:
Brett Armstrong*

Harpsichord and Chamber Organ:
Wesley Leffingwell*

 

Theorbo/Baroque Guitar:

Keith Barnhart*

*Indicates Fellowship Artist 

Fellows are professional musicians who are using period instruments from the BBF collection, and are pursuing studies in gut-strung performance practices in a variety of ensemble environments and stylistic contexts through our Fellowship Artist Initiative.

Since 2017, guest artist mentors who have worked with our fellows and/or alongside in performance, have included:

Katherine Kyme, violin (Philharmonia Baroque Orchestra)

Adam LaMotte, violin (Portland Baroque Orchestra and Montana Baroque Music Festival)

Elizabeth Blumenstock, violin (American Bach Soloists)

Guy Fishman, cello (Handel+Haydn Society Orchestra)

Marc Schachman, oboe (Philharmonia Baroque Orchestra)

Michael Dupree, oboe (Philharmonia Baroque Orchestra)

Andrew Schwartz, bassoon (Handel+Haydn Society Orchestra)

Todd Williams, horn (Handel+Haydn Society Orchestra)

Sadie Glass, horn (Guest Horn with period orchestras internationally)

Mario Aschauer, organ (Sam Houston State University)

Matthew Dirst, harpsichord (Ars Lyrica)

Richard Savino, theorbo and baroque guitar (El Mundo)

Ian Watson, harpsichord (Handel+Haydn Society Orchestra)

Robert Hill, harpsichord (University of Colorado at Boulder)

Nicholas Carthy, harpsichord (University of Colorado at Boulder) 

Daniel Hutchings, tenor (American Bach Soloists)

Josefien Stoppelenburg, soprano (Guest Soloist with period orchestras and baroque opera companies internationally)